In Logic 7, 0dB was still the default pan law, but in Logic 8 the default is now –3dB Compensated. As the patterns from Ultrabeat can be dragged into Logic as MIDI Regions, it goes some way to becoming a proper drum editor like the one found in Cubase.If you’re a new Logic user, Logic Studio is, as our northern American cousins say, a ‘no brainer’. The Audio main menu has also gone, so if you want to find the Hardware and Drivers pane, you need to look in the audio preferences under Core Audio. Logic Pro 8 is a significant achievement. However, since Logic 7 you can choose from three different pan laws: 0dB, –3dB (where the signal will be attenuated by 3dB when panned centre), and –3dB Compensated, which keeps the signal at 0dB in the center, but increases it by 3dB when panned hard left or right. By default, this is the Piano Roll (nee Matrix) editor, but you can change this preference if you like.A divider between the two areas allows you to adjust which gets the most space, although it’s impossible to make the Arrange area disappear completely by dragging the divider all the way to the top, which might have been nice. At the same time, there are still some user requests that haven’t been implemented. This means that if you want to select a certain piece of audio, such as a drum hit, you can now make a rough selection and use key commands to move the start or end points of the selection to the nearest transient.Being able to select different takes is all well and good, but most of the time you’ll want to comp a master take out of the many takes you recorded.

This seemingly small addition to the Inspector is genial, and makes you wonder why no one else has thought of doing it before.If you have an unassigned audio track or Software Instrument track selected, the Library shows suitable Channel Strip settings that can be applied to the selected track, which are organised in a column view hierarchy identical to the one used in the Finder.
For this reason, most Audio Units plug–ins need to be tweaked for multiple–output versions to be used in Logic 8, although Logic 7 songs that use Audio Units plug–ins with multiple outputs will work perfectly in Logic 8, keeping the multiple outputs intact. Channel and Plug-in Settings show up in the Library (Key Commands show up in the Options/Presets sub-menu), and when you create new Settings, they automatically become listed on other Macs sharing your settings. This is a pretty nice addition if you consider that Steinberg charge an extra $999 for the Nuendo Dolby Digital Encoder.These new surround features are great, but I do feel there are still some big limitations when compared to Cubase or Pro Tools (although Pro Tools LE doesn’t actually support surround, of course, and HD is vastly more expensive than Logic). Obviously, Apple wanted to make Logic’s interface consistent with the company’s other professional applications, most notably in the video market; but presumably they also wanted to broaden Logic’s appeal, encouraging more musicians to come to the Mac platform.However, there was a problem. Since the Event List editor can be incorporated into the Arrange window in a separate area to the Piano Roll editor, you can use this instead to see numerical data about which events are selected, assuming you have the Link modes set up correctly.Staying on the subject of the Piano Roll editor, I like the fact that its default behaviour is now to show the events from all regions selected in the Arrange window. I also really like the new panel of pictorial track icons as they now cover just about all instrument types.


We’ll look at this feature more closely in a future Apple Notes.In addition to Logic Pro 8 and all of the content mentioned in the main text, Logic Studio also includes:Originally introduced with Final Cut Studio 2 earlier in the year, this latest version of Soundtrack Pro is aimed at those who need to edit or create a soundtrack for a media project.A brand–new application that integrates Logic’s mixer, effects and instruments with an intuitive new customisable interface for those who want access to Logic’s sound when playing on stage.Emagic’s classic CD audio authoring software is still alive and provides all the features you need to master an audio CD of your mixes.Another tool from Final Cut Studio, Compressor enables you to encode your music in Dolby Digital AC3 format.A new utility for creating your own impulse responses for use with Space Designer.


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